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Live
At Andy's
Buy Now!
Chuck Hedges: Clarinet
Duane Thamm: Vibes
John Bany: Bass
Dave Bany: Guitar
Charlie Braughm: Drums
1. Softly As In A Morning Sunrise
(Romberg – Hammerstein II WB Bambalina, ASCAP
2. New Orleans
(Hoagy Carmichael, PSI Ltd. Hoagy Publ, ASCAP)
3. Cheek To Cheek
(Irving Berlin, IrvingBerlin Music Corp., ASCAP)
4. Nuage
(Django Reinhardt, ed. Francis Day, Hunter Publ, ASCAP)
5. It’s Allright With Me
(Cole Porter, Chappell Music, BMI)
6 Gambler’s Waltz
(Trad. Arr Chuck Hedges)
7. Breakfast Feud
(B. Goodman, C. Christian, Jewel Music, ASCAP)
8. I Don’t Wanna Be Kissed
(Spina, J. Elliott, Spina Music/Shane Ent./E.H. Morrison Inc.,
ASCAP)
9. Liza
(G&I Gershwin, WB, ASCAP)
10. She’s Funny That Way
(Richard Whiting, Chappell Music, BMI)
11. Autumn Leaves
(Johnny Mercer, Enoch Et Cie)
12. The Blues (My Naughty Sweetie Gives Me)
(A. Swanstone, C.K. McCarron, K. Morgan Publ.)
Delmark
Records – DE - 465
Supervision: Robert G. Koester – Production: Chuck Hedges
Recorded March 22, 29 and May 3, 1993
Recording: Jack McLeland
Photography: Minique C. Churchill - Design: Kate Hoddonott
(Chuck Hedges
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Liner
Notes
On
Monday nights at Andy’s in Chicago you can he transported
to another time - the 30s, 40s, 50s - a time when music was swinging
and ballads were beautiful. People’s attitudes about cities
was different-it was a time when jazz was available and urban
sophistication was reflected in the music.
It’s at Andy’s on Mondays that that club atmosphere
is felt again; you find yourself before grand concerts evoking
that time in sound and feeling. It’s a place where your
foot taps and your head swings side to side and back and forth.
The Swingtet at Andy’s is about relaxed listening with neon
colors from the bar signs and friends meeting one another in an
intimate atmosphere - not a big band hail yet not alone in your
living room. It’s about jazz as a social thing - drinks,
good food, talks and good times with outstanding musicians.
Chuck Hedges has been at Andy’s from the musical beginning
in 1978. He is a fixture in the traditional jazz festivals, concerts
and clubs throughout the world. His group’s close working
relationship is like that of a tight-knit family, each member
appreciating the contributions of his fellow player. They are
a unique unit that surrounds the listener with their sheer driving
energy.
Hedges’ conscious selections are designed to transport you
back to the big band era of Goodman, Hampton and Krupa and the
swing, swing, swing tempo that made them famous. His wondrous
mellow tone and range shine on the lovely ballads. The clarity
and control he has attained truly makes him the master of his
instrument-the most demanding of reed instruments.
This is a tight, hard driving rhythm section with players who
appreciate not only the times, bat time as well. The Baoy brothers
are family and project a sensitivity and style that is riveting.
They are powerful players who respond to the impeccable time keeper,
drummer Charlie Braugham. When Duane Thamm joined the group five
years ago the band found the ideal compliment to their vision
and their commitment to the music of the swing generations.
This CD is living proof that this music is alive and well and
in very capable hands.
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